Anne Murray - Son Of The Rotten Gambler (1974) SON OF THE ROTTEN GAMBLER (Chip Taylor) And his love will be his vision And he'll take you where you stand And. The Hollies - Son Of A Rotten Gambler. A student (Jodhi May) transcribes Dostoevski's (Michael Gambon) novel, which parallels events in the author's life.

1. The Gambler Movie Rotten Tomatoes
2. The Gambler Rotten

Bob le flambeur ('Bob the Gambler' or 'Bob the High Roller') is a 1956 French gangster film directed by Jean-Pierre Melville. The film stars Roger Duchesne as Bob. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut.^[3]

Plot[edit]

Bob, a former bank robber and convict who has gone straight for 20 years, lives on his own as a gambler in the Montmartre district of Paris. He is well liked by the demi-monde community there, but has hit a run of bad luck and is nearly broke. Ever the gentleman, he lets an attractive young drifter called Anne stay in his flat in order to keep her from the attentions of Marc, a pimp he hates, and encourages his young protégé Paolo to become involved with her. Marc is arrested for beating up his wife, and accused of being a pimp, but is released on condition he becomes an informer. Ledru, the police inspector who does this, owes an unrepayable debt of gratitude to Bob, who once saved his life.

Through an ex-con who is now a croupier in the casino at Deauville, Bob and his safecracker friend Roger learn that by 5.00 in the morning at the height of the season the casino safe can hold 800 million in cash. Forming a plan to lift it, they find a backer to finance their preparations and recruit a team of professional criminals. The croupier gets them detailed floor plans, together with the specification of the safe. Paid in cash for this valuable information, he uses some of it to buy jewellery for his avaricious wife.

In bed with Anne, the immature Paolo brags about the upcoming raid, news which she passes on to Marc, who tips off Ledru that he has valuable info to share. When Anne confesses what she has done, Paolo shoots Marc dead before he can get to Ledru. Meanwhile, the croupier's wife has wormed out the secret of her husband's new riches and decides to blackmail Bob but, unable to find him, tells the police. Ledru finds it hard to believe, as he thinks Bob is truly reformed, and after checking with the casino mounts a fruitless search for Bob, who is already on his way to Deauville. Ledru follows with a convoy of armed police.

Bob's plan is to spend the time until 5:00 as a customer inside the casino, keeping an eye on things until the rest of the gang burst in with guns. After wandering around the tables for a while, he can't resist placing a bet. There follows the most incredible run of luck, in which he wins millions. Just before 5:00 he orders the staff to cash his huge pile of chips and bring the money to the front door. Arriving there on time, his gang are ambushed by the police and Paolo is killed in the ensuing gun battle. The handcuffed Bob is put into Ledru's car and the casino staff put his winnings in the trunk. It is strongly implied that his lucky streak will hold and he will get off with little or no jail time. Indeed, he quips, he may sue the police for damages – while the beautiful Anne waits for him at his apartment.

Principal cast[edit]

• Isabelle Corey as Anne
• Daniel Cauchy as Paolo
• Roger Duchesne as Bob Montagné
• Guy Decomble as Insp. Ledru
• André Garet as Roger

Production[edit]

Bob le flambeur was shot on location in Paris and Deauville with two interiors at rue Jenner studio.^[2] According to an interview the film cost 17.5 million French francs while CNC Censorship file indicates an estimate of 32 million French francs.^[2]

Release[edit]

Bob le flambeur was released in Paris on 24 April 1956.^[2] The film was Melville's lowest grossing at this point in his career.^[4] In Paris, the film took in 221,659 admissions and 716,920 admissions in France as a whole.^[4]

Critical reception[edit]

Vincent Canby, writing for The New York Times in 1981, noted 'Melville's affection for American gangster movies may have never been as engagingly and wittily demonstrated as in Bob le Flambeur, which was only the director's fourth film, made before he had access to the bigger budgets and the bigger stars (Jean-Paul Belmondo, Alain Delon) of his later pictures.^[5]

The film received positive reviews when re-released by Rialto Pictures in U.S. cinemas in 2001. It holds an approval rating of 97% on Rotten Tomatoes, based on 30 reviews, with an average rating of 8.1/10. The website's critical consensus reads: 'Majorly stylish, Bob le Flambeur is a cool homage to American gangster films and the presage to French New Wave mode of seeing.'^[6]

Roger Ebert added the film to his Great Movies list in 2003.^[7]

Remake[edit]

Bob le flambeur influenced the two versions of the American film Ocean's Eleven (1960 and 2001) as well as Paul Thomas Anderson's Hard Eight, and was remade by Neil Jordan as The Good Thief in 2002.^[8]

See also[edit]

References[edit]

1. ^ ^abcdefVincendeau 2003, p. 228.
2. ^ ^abcdVincendeau 2003, p. 229.
3. ^Ebert, Roger (May 25, 2003). 'Bob le Flambeur (1955) Review'. Chicago Sun-Times. Archived from the original on January 25, 2009. Retrieved September 16, 2009.
4. ^ ^abVincendeau 2003, p. 260.
5. ^Canby, Vincent (September 26, 1981). 'Bob le Flambeur (1955) Movie Review'. The New York Times. Retrieved September 16, 2009.
6. ^'Bob Le Flambeur (1955)'. Rotten Tomatoes. Fandango Media. Retrieved February 22, 2018.
7. ^'Bob Le Flambeur Movie Review'. Roger Ebert. May 25, 2003.
8. ^'All 4 Homepage'. Film4.com. Retrieved 2018-09-14.

Sources[edit]

• Vincendeau, Ginette (2003). Jean-Pierre Melville An American in Paris. British Film Institute. ISBN0851709494.

External links[edit]

• Bob le flambeur at IMDb
• Bob le flambeur at AllMovie
• Bob le flambeur at Metacritic
• Bob le flambeur an essay by Luc Sante at the Criterion Collection

The Gambler is a 1974 American crime drama film written by James Toback and directed by Karel Reisz. It stars James Caan, Paul Sorvino and Lauren Hutton. Caan's performance was widely lauded and was nominated for a Golden Globe.

Plot[edit]

Axel Freed is a Harvard University–educated English professor with a gamblingaddiction that begins to spiral out of control. In the classroom, Freed inspires his college students with his interpretations of Fyodor Dostoevsky's work. In his personal life, Axel has the affection of the beautiful Billie and the admiration of his family, including his mother, Naomi, who is a doctor, and his grandfather, a wealthy businessman.

Axel's gambling has left him with a huge debt. His bookie, Hips, likes the professor personally but threatens grave consequences if he does not pay it soon. When Billie, having been informed by Axel that he owes $44,000, questions the wisdom of her associating with him, Axel confidently tells her she loves his life's dangers, including 'the possibility of blood'.

After obtaining the $44,000 from his disapproving mother, Axel goes with Billie to Las Vegas and gambles it into a small fortune, only to blow it all again on basketball bets. He takes out his anger on Billie, who does not appreciate having loan sharks come to their apartment in the middle of the night. Expecting help from his grandfather, Axel gets nothing but the older man's disappointment and disgust.

Axel's only way to have his debt cancelled is to lure one of his students, a star on the college basketball team, to shave points in his next game. He does so by offering the student a large enough amount of cash. When the game has ended in accordance with the plan, Axel and Hips discuss what motivates gamblers. Axel surprises Hips when he says he knows gamblers like himself want to lose. He adds that he could have made lots of money by betting only on sure winners, but that doing so would not have brought him any real excitement. Ignoring the warning by Hips that it's dangerous, Axel wanders off into a black ghetto near the gymnasium where the game was played.

Axel proceeds to lure a pimp into a life-or-death fight by refusing to pay a prostitute. As Axel repeatedly assaults the pimp, the prostitute slashes him across the face. Axel looks at himself in a mirror and smiles enigmatically at the blood pouring from his wound.

Cast[edit]

• James Caan as Axel Freed
• Paul Sorvino as Hips
• Lauren Hutton as Billie
• Morris Carnovsky as A.R. Lowenthal
• Jacqueline Brookes as Naomi Freed
• Burt Young as Carmine
• Carmine Caridi as Jimmy
• Vic Tayback as One
• Steven Keats as Howie
• London Lee as Monkey
• M. Emmet Walsh as Las Vegas Gambler
• James Woods as Bank Officer
• Carl W. Crudup as Spencer
• Beatrice Winde as Hospital Receptionist
• Antonio Fargas as Pimp

Production[edit]

The film was the first produced screenplay by James Toback. Toback had worked as an English lecturer at the City College of New York and had a gambling problem. He originally wrote The Gambler as a semi-autobiographical novel but halfway through started envisioning it as a film and turned it into a screenplay.

Toback completed it in 1972 and showed it to his friend Lucy Saroyan, who introduced Toback to Robert De Niro. Toback became enthused about the possibility of De Niro playing the lead. He showed the script to his literary agent who gave it to Mike Medavoy who attached director Karel Reisz. Reisz did not want to use De Niro and cast James Caan instead.^[2]

'Caan became a great Axel Freed, although obviously different from the character De Niro would have created', wrote Toback later.^[2] It was filmed at a time when leading actor James Caan was battling his own addiction to cocaine. Caan says the film is one of his favorites. 'It's not easy to make people care about a guy who steals from his mother to pay gambling debts.'^[3]

Some see the film as a loose adaptation of the short 1866 novel The Gambler by Fyodor Dostoyevsky.^[4][5]

Reception[edit]

Roger Ebert awarded his top grade of four stars and wrote that the film 'begins as a portrait of Axel Freed's personality, develops into the story of his world, and then pays off as a thriller. We become so absolutely contained by Axel's problems and dangers that they seem like our own.'^[6]Vincent Canby of The New York Times was less impressed, writing, 'The movie follows Axel's downward path with such care that you keep thinking there must be some illuminating purpose, but there isn't ... Mr. Reisz and Mr. Toback reportedly worked a couple of years putting the screenplay into this shape, which is lifeless.'^[7][8]Gene Siskel of the Chicago Tribune gave the film three-and-a-half stars out of four and said that director Karel Reisz 'is most successful in presenting Axel as a true sickie and his adversaries as genuinely ruthless. The latter is no mean feat, inasmuch as ruthless movie mobsters are a dime-a-dozen in these post-'Godfather' days ... We know that the film is a success, because it doesn't really matter whether Axel is a winner or a loser as the film ends. 'The Gambler' is a personality study, and like 'California Split,' its story does not hang on its ending.'^[9] Arthur D. Murphy of Variety called The Gambler 'way ahead as the better of two current films about the gambling compulsion. Director Karel Reisz has one of his most compelling and effective films. Title star James Caan is excellent and the featured players are superb.'^[10]Charles Champlin of the Los Angeles Times declared it 'a cool, hard, perfectly cut gem of a movie, as brilliant and mysteriously deep as a fine diamond. At its center is an hypnotically absorbing performance, at once charming and dismaying, by James Caan, who must certainly have an Academy Award nomination for it.'^[11]Pauline Kael of The New Yorker stated, 'At 'The Gambler,' we're trapped at a maniacal lecture on gambling as existential expression. And, as almost always happens when a movie is predictable and everything is analyzed and labelled, the actions and the explanations aren't convincing. Gambling is too easy a metaphor for life; as metaphor, it belongs to the world of hardboiled fiction.'^[12] Gary Arnold of The Washington Post agreed, calling it 'a well-made movie invalidated at every turn by a script with big, literary pretensions but little if any dramatic credibility.'^[13]Jonathan Rosenbaum of The Monthly Film Bulletin wrote that his problem with the film 'is not so much a surfeit of psychological analysis—the script offers hints, not explicit causes explaining Axel's condition—as too little to account for his behaviour naturalistically, and too much to permit any sustained acceptance of the character on an allegorical or mythical level ... there is nothing in Axel that suggests hidden depths; indeed, despite Caan's consistent professionalism, the actor seems to be as disinterested in his character as Axel seems to be in himself.'^[14]

The Gambler Movie Rotten Tomatoes

The film holds a score of 78% on Rotten Tomatoes based on 9 reviews.^[15][16]

Remake[edit]

In August 2011, Paramount Pictures announced a remake of the 1974 film The Gambler with the original producers, Irwin Winkler and Robert Chartoff. Intended as a new directorial project for Martin Scorsese, it was reported that Leonardo DiCaprio was attached as the star and William Monahan would write the screenplay.^[17]

In a 2011 interview, screenwriter James Toback gave the story of the original film's autobiographical background and development, and criticized the announcement of the remake.^[18]

Scorsese left the project and filmmaker Todd Phillips was in talks to take over as of August 2012.^[19]

In September 2013, Mark Wahlberg and director Rupert Wyatt expressed interest in making the film.^[20] The film was released on December 25, 2014.

See also[edit]

References[edit]

1. ^The Gambler at the American Film Institute Catalog
2. ^ ^abJames Toback, 'A Hollywood Mis-Education'Vanity Fair, March 2014 accessed 10 February 2014
3. ^Siskel, Gene (Nov 27, 1977). 'James Caan's career hitting tough times'. Chicago Tribune. p. e6.
4. ^Lyons, Paul. The Quotable Gambler, Globe Pequot, 1999, ISBN1-55821-949-8, ISBN978-1-55821-949-6, p.305.
5. ^Bronson, Eric. Poker and Philosophy: Pocket Rockets and Philosopher Kings Open Court Publishing, 2006, ISBN0-8126-9594-1, ISBN978-0-8126-9594-6, p.57.
6. ^Ebert, Roger (October 3, 1974). 'The Gambler'. Chicago Sun-Times. Retrieved May 8, 2019.
7. ^Canby, Vincent (October 3, 1974). 'Screen: Professor Bucks Odds in 'The Gambler'. The New York Times. 50.
8. ^Canby, Vincent (3 October 1974). 'Screen: Professor Bucks Odds in 'The Gambler':Caan, in the Title Role, Fights Compulsion'. The New York Times.
9. ^Siskel, Gene (October 18, 1974). 'Gambler' wins where others fold'. Chicago Tribune. Section 3, p. 3.
10. ^Murphy, Arthur D. (October 2, 1974). 'Film Reviews: The Gambler'. Variety. 24.
11. ^Champlin, Charles (October 6, 1974). 'Cool, Hard Look at the High Cost of Losing'. Los Angeles Times. Calendar, p. 30.
12. ^Kael, Pauline (October 14, 1974). 'The Current Cinema'. The New Yorker. 174.
13. ^Arnold, Gary (October 17, 1974). 'Gambler': Nice Try, But Finally a Loser'. The Washington Post. E13.
14. ^Rosenbaum, Jonathan (March 1975). 'The Gambler'. The Monthly Film Bulletin. 42 (494): 56.
15. ^'The Gambler'. Rotten Tomatoes. Retrieved May 8, 2019.
16. ^'The Gambler'. Metacritic. Retrieved May 4, 2020.
17. ^Mike Fleming (2011-08-26). 'Leonardo DiCaprio Attached To 'Gambler' Remake At Paramount With Martin Scorsese'. Deadline Hollywood. Retrieved 2011-08-29.
18. ^Nikki Finke (2011-08-28). 'James Toback On 'The Gambler' Remake: 'Not Possible… Rudeness And Disrespect''. Deadline Hollywood. Retrieved 2011-08-29.
19. ^'Todd Phillips in Talks to Direct First Drama 'The Gambler' (Exclusive) Hollywood Reporter'. The Hollywood Reporter.
20. ^Mike Fleming Jr (11 September 2013). 'Mark Wahlberg And Rupert Wyatt Eyeing 'The Gambler' Remake For Paramount'. Deadline Hollywood.

External links[edit]

• The Gambler at IMDb

The Gambler Rotten